2,024 Royalty-Free Audio Tracks for "In C"

Traditional song from Argentina sung by Juan Rodríguez. Disco Electra n° 153. Matrix n° 815. [1]

The Star-Spangled Banner opens with an arpeggio on a C major tonic chord. In this file that is followed by the chord as a simultaneity.

First eight bars of the 3rd movement of Ludwig van Beethoven's Piano Sonata No. 21 in C major, Op. 53, the Waldstein.

A metal like breakdown, recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Starting and revving a 1974 corvette. A zoom h2n handy recorder was used to capture the sound and basic editing was completed in garageband. (created by mark j and chad c. In digital production 120).

This kind of noise consists of only values -1 or +1. This produces the maximum energy for the least peak to peak amplitude. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.

Used torn up paper to make it sound like someone is walking through leaves. A zoom h2n handy recorder was used to capture the sound and basic editing was performed in garageband. (breanna c. ).

Quartet in C sharp minor, op. 131 Trio from Scherzo, bars 93-100

Quartet in C sharp minor, op. 131 — Trio from Scherzo, bars 69-76

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

Dual tone multi-frequency (dtmf) dialing 1-2-3-a-4-5-6-b-7-8-9-c-*-0-#-d in this order. Made with audacity.

Finger tapping recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

My first piece of music created in musagi. Judging by the rating, i'm not the only one who thinks it's crap. Well, there's a second one pending moderator approval, so we'll see about that :c.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

Elaboration of the tonic arpeggio as prolongation in Chopin, Op. 48, measures 1-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

Recorded in my home studio on my akg c-214 condenser microphone. This is the sound of me knocking over my water glass on a wooden table. It makes a nice clinking sound but doesn't break.

Part of the beta loopset, a set of complementary synth loops. It is in the key of c minor, following the chord progression cm bb fm g7. It is four bars long at 110bpm. It is normalized.

This is just a basic beep from a phone. I guess i figured freesound didn't have enough beeps, so i uploaded this. I believe it is in c#, but there is a possibility i am mistaken.

Still from a phone conversation, but this one sounds like a dart hitting a dartboard. It is in c, although it is so short it really doesn't matter.

This is sound that came from handling compact cassette and it's case. Recorded in home studio at 2019. I don't remember, what was the equipment, it may be zoom h1 or olympus ls 10.

Sounds of a balloon being inflated and deflated several times. The deflation has various characteristics from high squeals to fluttering stutters. All sounds recorded in 192khz, 24 bit undithered. Enjoy :).

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

A finger tapping lick recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

Chinese traditional song sung by Jianhong He. Bekarecord n° 223. Matrix n°22769. [1]

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Simple 5. 1 (with lfe backed in) surround test file created from a click sound. The file uses the following configuration:- left- right- center- lfe- left surround- right surround.

While cleaning up i found a cd-r with harp samples that i recorded in lengfeld a few years ago. Recorded with zoom h2 ,processed with audacity. Here you are.

An alt picking riff recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

It was recorded on cubase 5 with an at2020 usb mic. There were about four vocal tracksvocal harmony starting in f#. It builds up in stages and gets better towards the end. The chords are f#7, f7, a#, c#. I think it's 80bpm. Apologies if not.

Here's a little chord loop i made. Please, if you use it, could you give me the links to your projects in the comments down below :)? thank you in advance and i'm looking forward to see your creativity!. Enjoy!. Information:key: c minor. Tempo: 125 bpm.

Insects soundscape in a rocky landscape. 35°c, 3pm, stony hill. Flys and different kind of crickets. Around biskra, algeria, spring 2014. Recorded with schoeps ab ortf in albert cinelarecorded on sounddevice 744t,48khz, 16 bitssmooth noise reduced by isotope.

The following is a 2015 toyota prius c approach, stop (w hybrid shut off) and away shot for directly in front of the vehicle. There is some tire grit and it is slightly wet on the away.

Sound effect (logo, bumper, sweeper) to be used in radio jingle production. Separate elements also included in the file. 16bit wave file, normalized to (around) -20db rms. Still plenty of headroom for voice.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): IV. Adagio, Allegro molto e vivace performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): III. Menuetto, Allegro molto e vivace performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): II. Andante cantabile con moto performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

Field recording made at the south side of the lincoln memorial in washington d. C. Recorder is facing the tidal basin to the southeast, with ohio drive and it's traffic in the mid-range. Recording conducted in march 2012 with a zoom h2, mics set to 90° dispersion.

A duet of garden noisy machinery, perhaps a leaf-blower and a hedge cutter, in the garden next to ours in suburban worcester uk. In the silences between bursts of activity one can hear a some birdsong (blue tit &c. )and our little pool fountain tinkling. Sony pcm-m10.

This kind of noise randomly generates the values -1 or +1 at a given rate per second. This number is the frequency. In this example the frequency is 100 hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Ancient drum loop sequenced by me c. A. 1995 in protracker. Smth like 5th module sequenced in my life. Not bad as for 13 y. O. Kid. Not bad at all!. Loop restored in flstudio by adding part of spectrum cut by sampling with low sampling frequency. 44100hz, 16bit restoration of 16khz, 8bit sample. 125bpm.

waltz by Chopin (Op. 64, No. 2). According to the little book in the CD cover the piano is a "Steinway grand". Paderewski was very associated with Steinway, he and William Steinway together created the program called Steinway Artists.

Hohner blues harp in c, played cross-harp (g major) for multiple “train whistle” sounds. First played high (d and f), then lower (b and d) , then a little faster. Recorded about 10 inches away with tascam dr-05. Multiple takes were trimmed and assembled in audacity.

6 octaves of a simple square wave in concert c for reference. Tuning oscillators has never been easier! just patch an oscillator output into the morphagene input, select an octave with the organize control and dial sound on sound to mix the two to assist in tuning.